This series uses imagery I had previously taken with various paintings saved from the Met’s public domain which serendipitously fit together to create a sense of nostalgia.
This series combines some of the many pictures I have taken and saved over the years which have never been used, are not deemed significant, yet remain undeleted. Much like the hoarded images in our camera rolls, I find that we try to hold onto our memories. As these memories bleed together, they cause us to perceive these new memories as our true experiences, despite them not being of the original reality which was lived.
